Developed by Dr. Andy Hildebrand, a geophysical engineer, the software leveraged auto-correlation algorithms originally used in seismic wave mapping for the oil industry.
Andy Hildebrand adapted these algorithms for musical applications, offering a more efficient and precise way to correct vocal imperfections.
The most common use of pitch correctors is to fix wrong intonation (tuning) of notes sung by vocalists in popular music sound recordings.
One criticism of pitch correction is that it allows recording engineers to create a perfectly in-tune performance from a vocalist who is otherwise not skilled enough to give one, adding a degree of dishonesty to music.
In the episode, a cartoon representation of a pitch corrector (labeled "Studio Magic") was used to make up for the total lack of singing talent in a manufactured boy band, of which Bart Simpson was a member.
In 2003, Allison Moorer began attaching stickers to her 2002 album Miss Fortune reading "Absolutely no vocal tuning or pitch-correction was used in the making of this record.
[8] Riley claimed that because he did not have a "final vocal" from Jackson, Melodyne had to be used "to make his voice work with the actual music," "to get him in key" and this resulted in the vibrato sounding "a little off" or "over-processed.