Poème électronique

[not verified in body] The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space.

Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

Le Corbusier's original concept called for a pause in the film while his voice was heard, speaking directly to the audience.

[citation needed] The interior of the pavilion was lit by a constantly changing pattern of colored lights, and in addition to the film, three separate projectors showed still photos on the walls.

The speakers stretched up to the apex of Le Corbusier's points, and Varèse made great use of the possibilities, sending the sound up and down the walls.