This fusion of image and spoken word (both independent and interdependent) creates what William Wees called the "Poetry-film" genre.
This genre of film was first explored in the 1920s by Impressionists Germaine Dulac, Louis Delluc, Man Ray, Hans Richter, and others.
In the mid-1960s and early 1970s this genre was further explored by the Beat Generation poets Lawrence Ferlinghetti, Allen Ginsberg, and Herman Berlandt, and developed into a festival held annually at the Fort Mason Center in California.
The film fused images of death, slow sitar, and Ferlinghetti's spoken word poem about the assassination of the Kennedys.
Performance artist Hedwig Gorski was one of the first to successfully produce and direct her video poem using state arts funding.
Utpal Datta (Assam), Vishwajyoti Ghosh, Sidharth Pratap Singh, Parijat Kaul, Anjali Monteiro & K.P Jayasankar (Centre for Media and Cultural Studies), Nandan Saxena & Kavita Bahl, are some of the poetry filmmakers from India.
The list of poetry filmmakers also includes Sidharth Saxena and Shashwat Mudgal from India and Tahira Rana from the UK.
Tremlett then moves on, to the voices and work of individual international practitioners starting with Contemporary Pioneers, and specific sections on Portugal and Spain, and Argentina.