[2] The revisions include extensive usage of politically correct buzzwords (and parodies thereof), deliberately stiff moralizing dialogue and narration, inclusion of modern concepts and objects (such as health spas, mineral water, and automobiles), and often feature a plot twist that reverses the roles of the heroes and villains of the story (for example, the woodsman in Little Red Riding Hood is seen by Red Riding Hood not as a heroic saviour but as a "sexist" and "speciesist" interloper, and Snow White's evil stepmother ends up with a positive portrayal while the prince and the seven dwarves are portrayed as chauvinistic).

Based on the popular fairy tale of the same name, this parody includes as its main themes mocking the idea of anti-"speciesism" and the more radical branches and concepts of feminism (such as using the spelling "womyn" instead of "women" throughout, a pattern that is repeated in other stories in the book), and is one of the several stories in which the ending is completely altered from the original fairy tale.

The "porcinistas" slaughter the wolves, take back their lands and found a utopian socialist democracy in its place, living happily ever after.

Angry at the idea that her reproductive rights were almost taken away from her, she moves to California and starts a birth control clinic and lives happily ever after—as a "fulfilled, dedicated single person."

This is a parody of the Billy Goats Gruff folktale, which satirizes "the masochistic tendencies of modern American liberal morality".

It features the twist of the prince having connections in the music recording industry; having heard her sing, he wants to make her a star—and profit heavily from merchandising both her voice and her appearance.

However, Rapunzel, disgusted by the idea of her voice being exploited for capitalist gain, climbs out of the tower and runs off to become a folk musician who performs for free in a "coffee house".

However, she is so attractive in her impractical shoes, clothing and makeup, that every male in the ballroom goes mad for her and a brawl begins that eventually results in the death of every last one of them.

However, the bears note the "chemical" smell of their organic porridge and, suspicious, discover the traps as well as Goldilocks, who has fallen asleep in the corner of the room while waiting for her targets to return.

Chicken Little, Henny Penny and Goosey Loosey attempt to sue for various matters, and end up getting involved in a court battle lasting till this day.

[...] We'd like to think that future generations of fairy tale fans will see this as a worthy attempt to develop meaningful literature that is totally free of bias and purged from the influences of the flawed cultural past.

"), as well, of course, as in the introduction which goes so far as to include the following breathless passage: If, through omission or commission, I have inadvertently displayed any sexist, racist, culturalist, nationalist, regionalist, ageist, lookist, ableist, sizeist, speciesist, intellectualist, socioeconomicist, ethnocentrist, phallocentrist, heteropatriarchalist, or other type of bias as yet unnamed, I apologize...

However, the book is absent of polemics—its stories are styled only upon a deadpan context of removing of all traditional bias, stereotype and prejudice from well-known fiction, under the pretense of not warping young minds.