Polly Apfelbaum

Polly E. Apfelbaum (born July 4, 1955) is an American contemporary visual artist, who is primarily known for her colorful drawings, sculptures, and fabric floor pieces, which she refers to as "fallen paintings".

"[1] These large-scale, 'anti-monumental', horizontal installations consist of hundreds of hand-cut and hand-dyed pieces of velvet fabric that are arranged on the floor.

Lane Relyea states "Apfelbaum's work is both painting and sculpture, and perhaps photography and fashion and formless material process as well.

[4] In conjunction with the exhibition, a catalogue surveying 15 years of the artist's work was published by the Institute of Contemporary Art, Philadelphia.

Apfelbaum's work has also been featured in a number of notable museum exhibitions including Sense and Sensibility: Women and Minimalism in the 90s,[21] Comic Abstraction[22] and Lines, Grids, Stains and Words,[23] all at the Museum of Modern Art, New York; Painting-The Extended Field, Magasin 3, Stockholm, Sweden; Postmark: An Abstract Effect, Site Santa Fe, NM; Operativo, Museo Rufino Tamayo, Mexico City, Mexico; Sculpture as Field, Kunstverein Göttingen, Göttingen, Germany; The Eye of the Beholder, Dundee Contemporary Arts, Dundee, Scotland; As Painting: Division and Displacement, Wexner Center for the Arts, Columbus, OH; Flowers Observed, Flowers Transformed at The Warhol Museum, Pittsburgh, PA; and Extreme Abstraction,[24] at the Albright-Knox Art Gallery, Buffalo, NY.

Detail of "The Potential of Women" at Alexander Gray, New York, NY, September 7 - October 21, 2017