Ponta Delgada

Populated since 1444, São Miguel was a relatively large island with small settlements scattered about, except for Vila Franca do Campo in the central-southern coast and the smaller community of Ponta Delgada.

[5] The nobles in Ponta Delgada sent a secret contingent, headed by Fernão Jorge Velho, to meet with King Manuel in Lisbon to petition that the community be emancipated.

During the 19th century the municipality experienced its greatest boost of economic activity, with the funneling of citrus exports to United Kingdom and the growth of foreign-owned businesses in the historic center, many of them Jewish merchants after 1818.

[6] As with other centres across the archipelago, the town of Ponta Delgada experienced many of the trends common for the period, including the "greening" of the communities (with the construction of the gardens of António Borges, José do Canto, Jácome Correia and the Viscount of Porto Formoso, which would become part of the University of the Azores), the construction of many of the ornate homes/estates, the clearing of animals from urban spaces, the opening of newer, larger roadways, the moving of cemeteries to the periphery, and relocation of markets for fish, meat and fruits.

Due to these changes, and growth of the mercantile class, Ponta Delgada became the third largest town in Portugal, in economic riches and the number of residents.

The poet Bulhão Pato, writing of Ponta Delgada, was surprised by the extraordinary riches of the plantation owners, the "gentlemen farmers" that lived within the urbanized core: exporters of oranges and corn, bankers, investors, industrialists and shippers, all contributing to a privileged class of economic and social thinkers and philanthropists.

At the beginning of the 20th century, Ponta Delgada's position was relatively high (eighth largest), although the changing importance of rural economies steadily chipped away at its growth.

In one such event, property owners and right-leaning farmers challenged the Civil Governor António Borges Coutinho, who was responsible, under the direction of the MFA government, to implement land reforms.

The Picos Region extends from the shadow of the ancient volcano of the Água de Pau Massif (known locally for the lake that rests within its volcanic crater: Lagoa do Fogo) until the area around the Sete Cidades caldera.

It is a volcanic axial zone oriented generally in a northwest–southeast direction, essentially defined by several spatter cones and lava flows and predominantly covered by dense vegetation and pasture lands.

The Sete Cidades Massif, the other geomorphological structure that makes up the municipality of Ponta Delgada, consists of a central volcanic caldera and lake-filled cones which surround the crater.

Most recently, its diverse geography includes various types of basaltic volcanism, both effusive and less explosive (essentially Strombolian and Hawaiian) along its flanks, usually conditioned by local and radial faults.

Although there are no active aerial volcanic characteristics (like the fumaroles of Furnas), submarine vents around the region of Ponta da Ferraria and the beach at Mosteiros have been identified.

The urban core includes the baixa or lower town, referring to the historic centre of buildings, shops and landmarks that gathered over the centuries around the square of São Sebastião and Praça Gonçalo Velho (dedicated to the island's discoverer).

Other important landmarks include the Portas do Mar (Gates of the Sea), main tower of the SolMar Avenida Center mall and Theatre Micalense.

[30] Ponta Delgada is home to the central nucleus of the University of the Azores, a multi-disciplinary institution that ranges from courses in tourism, computer engineering, social sciences and business management.

This venerable feast day and week-long celebrations primarily focus on the fifth Sunday of Easter, attracting locals and Micaelense, in addition to peoples from neighbouring islands in the archipelago, the Portuguese diaspora, and tourists on vacation.

Associated with the Roman Catholic veneration of an Ecce Homo representing Jesus Christ following the Passion (retold in Luke 23:1–25 in the New Testament), a gift to the sisters of the Convent of Caloura in the mid-16th century, the event paralyzes the streets of the city for a day.

In comparison to other islands/parishes of the Azores, most neighbourhoods of São Miguel allow the free participation of visitors, seen as fulfilling the tenets of the tradition, rather than the narrow sub-community of the Brotherhoods of the Holy Spirit.

Attracting families, friends and tourists to the downtown, highlighted by nightly musical events, popular Azorean bands/singers, guest concert bands, folklore groups, and some international stars, in addition to vendor concessions selling food, refreshments or small goods.

Visitors to the region have access to tourist companies providing excursions to island trails, all-terrain paths and sea oriented activities such as diving, sport fishing, and boat tours.

Among them are Club Desportivo Santa Clara (Primeira Liga), Clube União Micaelense, (Portuguese Second Division) and Marítimo da Calheta (São Miguel Regional Championship League).

The main square in Ponta Delgada, around 1899.
The wharf of Ponta Delgada as seen at the end of the First World War, highlighting the US 1st Aeronautical Company (1 January 1918)
The Portas da Cidade ( Gates to the City ), the historical entrance to the village of Ponta Delgada
A view of the commercial-industrial centre of Ponta Delgada from a B737 departing John Paul II International Airport
Part of the fisherman's wharf of the Port of Ponta Delgada: a centre of fish catchers in southern São Miguel
SATA Air Açores headquarters
The rectorate building of the University of the Azores
Cult of the Lord Holy Christ of the Miracles : this celebration is the largest and oldest religious event in Portugal
Front façade of the Convent of Our Lady of Hope in Campo de São Francisco, during the events of The Lord Holy Christ of the Miracles
Gaspar Frutuoso
Antero de Quental, ca. 1887
João Bosco Mota Amaral, 2011