[1][2][3] He later embarked on the Post Mortem Tour across Latin America and Spain, including gigs at Lollapalooza, Cosquín Rock and Primavera Sound, as well as headlining sets at Movistar Arena, Luna Park and Teatro Vorterix.

[4][5] While on tour and working on his second album, Dillom collaborated with pop duo Miranda!, rapper and singer Wos and released "Ola de suicidios", a post-punk number that caused controversy for its lyrical content.

It features Argentine pop singer Lali covering the opening lines of "Plegaria desvelada" (1976) by author and composer María Elena Walsh, as well as an orchestral outro directed by Alejandro Terán.

"[18] Writing for Infobae, Ezequiel Ruiz lauded Por cesárea as "one of the best Argentine [albums] of the century", while popular radio station FM Rock & Pop 95.9 called it "a work of art".

El Planteo complimented Dillom as "a cultural innovator" and stated that Por cesárea "explores new musical and narrative dimensions, showcasing palpable growth in his style and artistic focus.