The Spanish king's will ruled out any idea of sharing and placed Philip, Duke of Anjou, second son of the Grand Dauphin and grand-son of Louis XIV at the forefront of legitimate contenders for the crown.
"[5] It seems that Philip V had obtained satisfaction through the intercession of Madame de Maintenon, who in a letter to the Duke of Noailles, dated March 11, 1701 wrote: "I am working to send him the portrait which he has ordered me to make him do.
His Majesty has promised his portrait to the King of Spain, wants to keep his word by giving him the original, and Mr. Rigaud must make a copy that is desired by the entire Court .
"[13] In 1733, he noted the rarity in a letter to Gabburri: "For my part I can encourage you to acquire a portrait of the reigning king and the queen, but the one engraved by Drevet is very difficult to have, and I have it Seen for sale at more than eight livres.
"[14] Signed and dated, "Painted by Hyacinthe Rigaud in 1701" on the base of the column supporting the goddess of Justice, and with Themis holding a set of scales in her hand, this vast portrait is that of an aging (62 years old) King, having reached the summit of his glory.
The king is depicted standing upright, three quarters to the left, his head low and his feet in view, a pose calculated to presenting the greater part of his person.
The massive barrel rests on a stylobate whose two visible sides are decorated with reliefs depicting two royal virtues: The allegories of Justice (front) and strength (left, very difficult to see).
[19] Stood before a throne upholstered in blue and embroidered with fleur de lys placed high up on a platform and under a purple (the color of power and wealth since antiquity) silk canopy, the king embodies the majesty of choice because he need not bear regalia (he is uncrowned, the hand of justice posed on a stool covered with a blue fleur de lys drapery, scepter of his grandfather Henry IV held upside down as a cane), except to the sword of Charlemagne whose sole custody is visible.
[21] The monarch is clothed in a leonine wig and court garments ( lace shirt and cuffs, brocade rhingraves, red - heeled shoes adorned with diamond buckles, and silk stockings held by garters ) wears the necklace of the Order of the Holy Spirit and the royal coat pinned high on the shoulder to highlight the former sword dancer and his thin legs as Louis XIV had insisted that his features be "true" [22][23] A copy of this portrait, made by Pierre Legendre, is in the library of the Palais Rohan, Strasbourg, opposite the portrait of Louis XV, also in costume de sacre.