Potnia

A similar word is the title Despoina, "the mistress", which was given to the nameless chthonic goddess of the mysteries of Arcadian cult.

She was later conflated with Kore (Persephone), "the maiden", the goddess of the Eleusinian Mysteries,[1] in a life-death rebirth cycle which leads the neophyte from death into life and immortality.

Karl Kerenyi identifies Kore with the nameless "Mistress of the labyrinth", who probably presided over the palace of Knossos in Minoan Crete.

Potnia (Greek: πότνια, "mistress")[2] is a poetic title of honour, used chiefly in addressing females, whether goddesses or women; its masculine analogue is posis (πόσις).

[3] Its hypothetical Proto-Indo-European (PIE) form *pot-niha-, "mistress", "lady", "wife", is the feminine counterpart to *pótis, "husband"; cf.

[5] An alternative etymology of the goddess Demeter comes through Potnia and Despoina ("Dems-meter", from PIE *dems-méh₂tēr, meaning "mother of the house").

[9] The earliest references to the title are inscriptions in Linear B (Mycenean Greek) syllabic script found at Pylos and at Knossos, Crete, dated 1450-1300 BC.

Potnia is almost always accompanied by an epithet characterizing a particular place or function of the mistress : po-ti-ni-ja,a-si-wi-ja (a-si-wi-ja = ethnic adjective, possibly "Asian (Lydian) woman"), si-to-po-ti-ni-ja (sitos = "grain", of wheat or barley; probably referring to Demeter or her predecessor), po-ti-ni-ja,i-qe-ja (Potnia Hippeia, "Horse Goddess").

This Archaic image known as the Lady of Auxerre may be a version of the Minoan goddess, probably Kore or Despoina (c. 640–630 BCE, Louvre ).