Presencia de América Latina (Presence of Latin America), also known as Integración de América Latina (Integration of Latin America), is a mural created by Jorge Gonzalez Camarena and painted by Mexican and Chilean artist Jorge González Camarena, Javier Arevalo ,Albino Echeverria, Eugenio Brito, Salvador Almaraz, Manuel Guillen and Hector Rodrigues.And Female model Alicia Cuevas, between November 1964 and April 1965.

[4] In addition to this, the mural makes use of a staircase with right angles leading up to a second-story art gallery, increasing the total area to 300 m2.

Completing this first panel of the mural, at the right is a mounted Spanish soldier, wearing armor and carrying a dagger, fighting against an eagle-man armed with a mace, symbolizing the battle of the conquest.

The central panel begins a bit to the left of the first part with the Spanish soldier and a Native woman, the principal creators of miscegenation.

On the surface of this swarm of bodies and precious stones, sprouts a pregnant woman covered with vines, representing the fertility of the earth.

From her surge American corn and Old World wheat, nourishment that sustains the bases of industrialization, technology and science, represented as an intricate steel machine on the upper part of the panel.

The Andes appears in the distant background, and crowning the entire mural are the verses of the Chilean poet, Pablo Neruda: ...There is no beauty like the beauty of America spread out in its hells / in its mountains of rock and power, in its atavistic and eternal rivers...(...Y no hay belleza como esta belleza de América extendida en sus infiernos / en sus cerros de piedra y poderío, en sus ríos atávicos y eternos...)Along with the clock tower of the University of Concepción, the mural Presencia de América Latina is a true symbol of the culture of Concepción.