[4] The stage production for each of the shows were presented with elements of the Presto cover art, which had featured lasers and Vari-Lites that were dropped from trusses on extensions as well as two giant inflatable rabbits, two sets of rear PA speakers on the back end of the stage floor to represent a quadrophonic effect on the sound which was engineered by Robert Scoville,[5] and a projection screen that displayed video sequences and retro films throughout the performance.
[6] Michael Hochanadel from the Daily Gazette opened his review stating that the visuals made the Rush concert at the Knickerbocker Arena on June 2, 1990, one of the biggest, brightest and overwhelming rock spectacles - with effects representing a 1970s arena rock throwback with the usage of lasers and haze.
While criticizing the music's lyrics as being sometimes preachy, he stated that they were at the same time, anthemic and tackled subjects in a fairly obvious way, but added that they needed something to keep their songs from sounding too alike.
[5] Reviewing the Pittsburgh performance on June 7, 1990, Janice Haidet of The Vindicator stated that the band put a huge reliance on talent from the instruments they were using, treating a crowded arena of fans to a "searing rock and roll feast".
Haidet noted that the band kept the audience standing on their seats with fists raised in time with the music, and Geddy Lee delivering extraordinary vocals that were presented by a balanced and clear sound mix - also noting the show as one of the best light shows in rock music, although outdone by Genesis and Pink Floyd.