In the years since, however, it has reached a cult status, having often been labeled "one of the most important links in the complete oeuvre of ex-Yugo rock",[1] and has influenced many artists in the nineties and beyond, including Rambo Amadeus and Jarboli.

During April 1981, Šarlo recorded the material that would eventually be named Bistriji ili tuplji čovek biva kad..., which confused PGP's executives so thoroughly that they immediately sold it to Jugoton.

Up to that point Šarlo based their sound around punk and white reggae, whereas on this record they broke new ground even by their own innovative standards.

Milan's role was basic melody, Koja did his best to destabilise the sound by mixing Hendrix with punk on his bass, while Vd had the unenviable task of bridging this gap.

Even the lyrics bare major differences: Koja's are minimalistic, akin to angry graffiti whereas Milan's are layered and poetic.