[2] Her 2018 album, The Drought, was released on Berlin-based record label PAN and received positive reviews from publications such as Pitchfork, Resident Advisor[5] and The Quietus.

[6] In the same year, she contributed to the track "Hope in Suffering (Escaping Oblivion & Overcoming Powerlessness)" by Yves Tumor, released on their album Safe in the Hands of Love.

[3][10] According to Colin Joyce of Pitchfork, "grating percussive scraping and nail-on-chalkboard vocalizations dominate her [Hoffmeier's] creeping compositions, even as her instrumental work runs the gamut from deafening drones to clattering industrial drum beats.

"[10] Pitchfork contributor Louis Pattison has noted that The Female Form, her collaboration with Loke Rahbek, "lingers on the threshold between gritty basement industrial and the rarified field of electroacoustic composition," while operating on the themes of "intimacy, communication, sexuality and gender identity.

"[4] On her fourth record The Drought, Bob Cluness of The Quietus stated that: "Hoffmeier uses genre motifs of noise and industrial music here, not so much to bombard the listener with adolescent fantasies of power, transgression and provocation, but instead to look at such violence as possessing empathy based on action and transformation.