Punk rock in Yugoslavia

The bass player of Saraceni, Goran Trajkoski, previously played with Klime Kovaceski in the punk band Afektiven naboj from Struga.

Notable hardcore punk acts during the 1980s included: Niet, U.B.R., Ćao pičke, Odpadki civilizacije, Tožibabe, III Kategorija, Stres DA, Epidemija and Quod Massacre (all from Ljubljana); S.O.R.

(Maribor); Blitzkrieg, Z.R.M., Patareni and Sköl (Zagreb); KUD Idijoti, Gola jaja, Besposličari and Pasmaters (all from Pula); Rukopotezno povlačilo (Slavonska Požega); The Dissidents (Prijedor) and Ženevski Dekret (Mostar); Solunski front, Distress, Necrophilia, Crist and Mrgudi (all from Belgrade); KBO!

(Kragujevac); Nade iz Inkubatora, Giuseppe Carabino, Marselyeza and Process (all from Subotica); Incest (Novi Bečej); Napred U Prošlost (Banatsko Novo Selo); and the Oi!

Many foreign punk bands played concerts in former Yugoslavia in the late 1970s and throughout the 1980s: The Ruts, Siouxsie and the Banshees, UK Subs, Angelic Upstarts, The Exploited, Charged GBH, The Anti-Nowhere League, Discharge, Youth Brigade and Amebix.

Although the Yugoslav punk musicians were working in a one-party state, they were still allowed to include social commentary in their songs, with only occasional cases of censorship.

The Yugoslav punk lyrics often included social and political criticism, anti-war, anti-chauvinist, anti-fascist, anti-authoritarian and anarchist messages, which was reflected in the bands' names, such as: Vrisak Hirošime (meaning: The Cry of Hiroshima), Apatridi (Stateless persons), The Dissidents (Dissidents), Patareni (Patarenes), Marselyeza (La Marseillaise), Stres Državnega Aparata (Stress Of The State Apparatus), Sistem Organizirane Represije (System Of Organized Repression), etc.

The late 1980s and early 1990s saw transition to parliamentary democracy, which brought liberalisation to the country, but also a rise in extreme nationalism, previously kept under control by the communist regime.

Despite the problems that Igor Vidmar once had with the Yugoslav communist system, in an interview published in the post-communist and post-Yugoslav period, he was quoted saying: "It is an irony that it is harder to work now in this liberal democracy, than in the last 10 years of SFRY's communism".

In 1992, the supergroup Rimtutituki featuring members of Partibrejkers, Električni orgazam and Ekatarina Velika released a pacifist single, but since the authorities didn't allow them to promote it with a gig, they performed on a truck trailer driven through the streets of Belgrade, as their stage.

The Serbian musician Branislav Babić Kebra of Urbana Gerila and Obojeni program was mobilized in the army and sent to the war in Croatia, but he deserted with the help of his Croatian friend, Goran Bare of Majke.

[6] A 1993 compilation of anti-war punk songs, Preko zidova nacionalizma i rata (Over the walls of nationalism and war), included bands from the ex-Yugoslav countries.

After the Ten Day War and the withdrawal of the Yugoslav Army from Slovenia, its former barracks were squatted and the Metelkova City Autonomous Cultural Center was established.

Some musicians also performed live on the frontlines or recorded songs, such as "Hrvatska mora pobijediti" ("Croatia Must Win") by Psihomodo pop, which boosted the morale of poorly-armed Croatian forces.

The punk rock bands in the Federal Republic of Yugoslavia included: Atheist rap, Ritam Nereda and Zbogom Brus Li from Novi Sad; Direktori and Šaht from Belgrade; and Goblini from Šabac.

Current notable acts in the former Yugoslav countries include: Niet, Scuffy Dogs, Aktivna Propaganda, GUB, Pero Lovšin (formerly of Pankrti), Golliwog, In-Sane, Kreshesh Nepitash, No Limits, all from Slovenia; Hladno pivo, Pasi, KUD Idijoti, Let 3 (featuring the former Termiti member Damir Martinović Mrle), Kawasaki 3P, Fat Prezident, Deafness By Noise, Overflow, FOB, No More Idols, Hren, Lobotomija, Brkovi, Grupa tvog života, FNC Diverzant, Tito's Bojs and Gužva u 16ercu from Croatia; Superhiks, Two Sides, Noviot Pochetok, and Denny Te Chuva from the Republic of Macedonia; Red Union, Zbogom Brus Li, Atheist Rap, Six Pack, Vox Populi, SMF, BOL, Ritam Nereda, Šaht, Miki Pirs, Birtija, Prilično Prazni, KBO!, Potres, Gavrilo Princip, Zvoncekova Bilježnica, Mitesers, Pogon BGD, Hitman, Nor, Concrete Worms, Ringišpil, The Bayonets, The Bomber from Serbia, and others.

[8][9] Meanwhile, in Skopje, Republic of Macedonia, the group Badmingtons reformed, and their music was included in the soundtrack for the feature film Prevrteno (Upside Down), directed by Igor Ivanov Izy.