Inspired by the Nazarenes from Germany, the artists of Purismo reject Neoclassicism and emulated the works of Raphael, Giotto and Fra Angelico.
The movement flourished through 1860, and reflected the taste for revivalist styles, which in Italy was fed by growing interest in Italian national identity and artistic heritage.
The term "Purismo" was coined in 1838 to describe the paintings of Antonio Bianchini [it] that referred to the "primitive" Italian artists, from Cimabue to the early Raphael.
Another important support of Purismo was Luigi Mussini, called from Paris as the director of the Regio Istituto Senese di Belle Arti.
With the first national Italian exhibition in 1861, which took place in Florence, the fortunes of Purismo began to decline and be replaced by the styles of Verismo and the Macchiaioli.