Push the Sky Away is the fifteenth studio album by the Australian rock band Nick Cave and the Bad Seeds, released on 18 February 2013 on the band's own label Bad Seed Ltd.[3] Recorded at La Fabrique in southern France, with producer Nick Launay, it is their first album not to include founding member Mick Harvey, following his departure in January 2009.
The notebook contained notes on the album's songs, which were composed from "Googling curiosities, being entranced by exotic English Wikipedia entries 'whether they're true or not'.
According to Cave, the songs illustrate how the internet has influenced "significant events, momentary fads and mystically-tinged absurdities" and "question how we might recognise and assign weight to what's genuinely important.
"[9] The cover image shows Cave opening a window shutter to illuminate his naked wife, Susie Bick, and was shot by Dominique Issermann in the couple's own bedroom.
[12] Prior to the album's announcement, Nick Cave and the Bad Seeds disclosed plans to perform at Humphrey's Concerts By the Sea in San Diego, California 16 April 2013.
[19] Nick Cave and the Bad Seeds performed a one-off debut of Push the Sky Away in its entirety at Fonda Theatre in Hollywood, California on 21 February 2013.
[22] Allmusic rated Push the Sky Away three and a half out of five stars and reviewer Thom Jurek said the "songs contain simple melodies and arrangements that offer the appearance of vulnerability and tenderness [but] it is inside this framework that they eventually reveal their sharp fangs and malcontent.
Club, Jason Heller asserted that the album's "oppressively hollow minimalism is both its biggest drawback and its greatest strength", noted the lack of "chemistry" in Mick Harvey's absence, and gave it a B− grade.
Cave delves into a meandering, meditative world that rarely offers the kind of hooks or tethers that dictate toe-tapping singalongs" in his three out of four star review.
[29] Pitchfork rated Push the Sky Away eight out of ten and reviewer Stuart Berman praised its "foggy reveries built upon ominously rumbling bass lines, twitchy rhythmic tics, and hushed-voice intimations", adding "it may not erupt with same force as the Bad Seeds' stormiest gestures, but the underlying menace fuelling it remains.
"[1] In his three star review for Rolling Stone, Joe Gross said Push the Sky Away "is full of tiny sounds—plinking guitars, pulsing bass [and] lazy subtle drums.
"[30] Writing for Slant Magazine, Mark Collett stated: "subtle, sprawling, and often achingly beautiful, Push the Sky Away is a late-career masterpiece from an antipodean force of nature" and summarised that it was "an album of thrilling darkness pierced by moments of brilliant light.
"[33] USA Today' reviewer Edna Gundersen wrote that the release "may be more spare, somber and haunting than recent collections, but Cave's dark menace, devilish wit and yarn-spinning voodoo compensate for a lack of guitar bluster.