[1] The motif is taken from Ovid's Metamorphoses and depicts the sculptor Pygmalion kissing his statue Galatea at the moment the goddess Aphrodite brings her to life.
In 1891 he made a marble sculpture of the same subject, possibly based on a plaster version also used as model for the painting.
[2] He made several alternative versions of the painting, each presenting the subject from a different angle; the Metropolitan Museum of Art page provides a detailed history and extensive references.
[3] Different versions of the painting are seen in the backgrounds of the self-portraits The Artist and His Model (now at the Haggin Museum) and Working in Marble (Dahesh Museum of Art), in which Gérôme depicts himself sculpting Tanagra, made the same year that he painted Pygmalion and Galatea.
The most famous version, where Galatea is seen from behind, was bought by Boussod, Valadon & Cie on 22 March 1892, who sold it on 7 April, for 17,250 FFR, to Charles T.