Qisas al-Anbiya

[3]: xii–xiii  These commentaries inspired a tradition of historical writing that began to present biblical figures in a more linear, narrative form; the principal work of this kind was the Tarikh al-rusul wa-l-muluk by al-Tabari (839–923).

[8][9]: 132–33  Perhaps the most important work, characterised by Roberto Tottoli as "probably the most comprehensive collection of stories of the prophets, and [...] the most widely known in the Arab world", was Abū Isḥāq al-Thaʿlabī ʿArāʾis al-majālis fī qaṣaṣ al-anbiyāʾ, from around the early eleventh century.

[citation needed] During the mid-sixteenth century, several gorgeously illuminated versions of the Qaṣaṣ — such as Zubdat al-Tawarikh and Siyer-i Nebi — were created by Ottoman authors and miniature painters.

According to Milstein et al., "iconographical study [of the texts] reveals ideological programs and cliché typical of the Ottoman polemical discourse with its Shi'ite rival in Iran, and its Christian neighbors in the West.

[12] Abdul Wahhab Najjar's (1862–1941) modern Qaṣaṣ explains the stories of the prophets solely based on Quranic sources, being diametrically opposed to the Medieval tractats of the same title.