[2] This cartoon follows two anthropomorphic ducks and a pet robot at an amusement park where phenomena such as time travel, telepathy, and reincarnation are exhibited as sideshow attractions.

[3] Having found themselves unable to tolerate Quasi's rude behavior any further, Anita and Rollo quickly come up with a plan to permanently get rid of him using the Time Hole, which no one can escape from after falling into.

Cruikshank independently financed[5] the $6,000 budget, which went primarily for cel painting, sound recording and lab and camera work.

Underground cartoonist Kim Deitch, then Cruikshank's boyfriend, did much of the inking, using dip pen and rapidograph, with Kathryn Lenihan doing most of the cel painting.

[7] Quasi at the Quackadero won awards and was shown at the Los Angeles Film Exposition, and made its first theatrical booking at the Northside Theater in Berkeley,[5] not far from Cruikshank's home at the time at 1890 Arch Street in that city.