In the mid 1950s, RCA Camden began releasing some rhythm & blues and, later, pop, country and rock and roll recordings.
New York Times, "Ethel Gabriel, a Rare Woman in the Record World, Dies at 99" Neil Genzlinger, April 9, 2021.
“Well, I made a multimillion-dollar line out of it, conceived, programmed and produced the entire thing.” Ethel Gabriel, a Rare Woman in the Record World, Dies at 99 RCA Victor originally reissued its older 78rpm Red Seal classical symphonic recordings on the Camden label using the actual names of the symphony orchestras involved; but soon, to avoid competing with recent full-priced recordings by the same orchestras, a series of pseudonyms were used, drawn primarily from the names of hotels in nearby Philadelphia, across the Delaware River from RCA Victor's headquarters in Camden.
The inclusion of these recent hit singles resulted in both Camden albums - which otherwise contained previously released and generally undistinguished movie and studio tracks - making the US charts.
Just the Way I Am, Mine, Just Because I'm a Woman (not to be confused with Parton's 1968 debut RCA Victor solo album of the same name), and I Wish I Felt This Way at Home were all issued between 1972 and 1976, and were largely made up of lesser known material Parton had recorded for RCA Victor during the late 1960s and early '70s.
The RCA Camden label continued well into the compact disc era, and was still active in the UK, Canada, Australia and several other countries until at least the early 2000s.