Rabotnitsa

[4] From the start of the Russian Revolution of 1917, Rabotnitsa served as the official women's publication under the Communist Party in Russia.

[7] However, Konkordiia (née Gromova) Samoilova,[8] Inessa Armand, a close friend of Lenin, were instrumental in actualizing the magazine.

[2] Its editorial board was composed of Armand and Samoilova, as well as A. I. Yelizarova-Ulyanova, N. K. Krupskaya, P. F. Kudelli, L. R. Menzhinskaya, Y. F. Rozmirovich, and L. N. Stal.

The journal restarted on 10 May (23), 1917, its cover announcing that it was now a part of the central Committee of the Russian Social Democratic Workers' Party.

This was followed by the "First All-Russian Congress of Women Workers" in 1918 after which the tsarist government closed the magazine, and all members of the editorial board were jailed.

(Rabotnitsa, Joseph Stalin, 1933) In 1926, the magazine published articles about a perceived male resistance to women entering metal and machine-tool work jobs, which were typically dominated by men.

[5] For Rabotnitsa, the period between 1914 and 1944 has been described as "the most dramatic and challenging years of its existence", when strong ties were maintained between the press and the political leadership of the country.

[17][18] The magazine's editors wrote about transforming domestic life through raising the consciousness of men, and blamed social problems on the lingering influence of patriarchy.

[8] The magazine paved the way for the women workers to "participate in state and public life and in the building of communism".

[17] It was instrumental in awakening the women workers to the political reality of the times and brought them under the party's banner.

[9] In spite of a poor review of its quality, Soviet women found the magazine to be "a friend, an adviser, a consultant, and an entertainer".

The mimosa (technically, the Silver Wattle ) is the symbol of the celebrations of Women's day in Russia and Italy .