In the 1930s, with radio stations like WNYC entering the airspace, reporters documented real people and real-life scenarios through short on-the-ground interviews rather than dramatization.
[2] An important moment in the establishment of the radio documentary as a widely used and discussed format is the expansion of portable audio recording devices.
The unit was "'devoted exclusively to the production of programs dealing with major domestic and international issues and involving extraordinary research and preparation'".
[1] Examples of these first documentary projects include CBS' 1946 war feature, The Empty Noose,[5] and ABC's 1949 program, V.D., A Conspiracy of Silence,[1] addressing the lack of public attention to venereal disease.
Technically speaking, it is a 30- to 60-minute, elaborate broadcast from a semantic field related to a radio drama, that can contain all the elements from original sound (interviews) and author texts (epic or scenic type) to noise and music.There has been tremendous interest in the field of radio documentaries, particularly in developing nations such as India, Iran, South Korea and Malaysia.
His documentary "Yeh Rishta Kya Kehlata Hai" is considered a classic for the use of effective narrative and ambient sounds.
This documentary presents an account of unseen bridges between a Kashmiri Shikarah Wala and his auto rickshaw driver friend in Delhi.
Because both Chitra and Danish had a long tenure at Delhi and had a creative collaboration with many media institutes, their influence is seminal in shaping the thinking of many of their students and co-workers.