After his wife's death, fleeing the pogroms, Solomon traveled to South Africa before ending up in Mandatory Palestine at the beginning of the century and died in Tel-Aviv in 1948, aged 80.

In 1977, the French editor, Stock published several controversial pieces, including, “La passion selon Pier Paolo Pasolini”, “Dave au bord de mer”, “Résumé” and “Du sur jeu au sur texte” in which he describes us his own and personal vision of his theater work.

Several theater and film directors expressed an increasing interest in Kalisky and brought his works to the stage, including Antoine Vitez, Albert-André Lheureux, Ewa Lewinson, Bernard de Coster, Jean- Pierre Miquel, or Marcel Delval.

Among his friends and contemporary authors, Romain Gary shared a special relationship with Kalisky, as he viewed them, as recalled by their published correspondence.

[4] Falsch, his last play, was then created in 1983 by Antoine Vitez in Paris, Théâtre National de Chaillot,[5] and later on adapted by the Dardenne brothers into a movie that was screened in 1987, starring Bruno Cremer.

[1] That new concept could be related to "Brecht's "distancing effect" ("Verfremdungseffekt"), which aims to break the theatrical illusion to awaken the critical sense of the audience by giving it to see the artificial nature of representation, and thus making everyone aware of his position as a spectator"[21]