[6] Many of the key players in Roots Revolt would later show up on Heavyweight Dub Champion recordings, including HDC co-founder Patch Rubin.

"[5] Survival Guide has an ambitious package including the band's credo, Last Champion Manifesto, a 70-page booklet "detailing their mission of 'Unconditional Liberation of the Human Race,'”[10] a poster by Jher 451 and sticker of their "protector" logo.

As described by Denver's Westword Magazine, "Structurally, the record moves from the announcement of the battle to the rallying calls of the Last Champion's chosen army – followers who unite to liberate individuals and the Earth – to the eventual announcement of the Last Champion as a victor in the championship against predators who have put a stranglehold on humanity's innate desire to creatively seek truth, beauty, pleasure and power.

"[5][12] The Westword reports that, at an early age, Chambers received visions from the "Last Champion" during periods of "severe headaches and lengthy vomiting sessions.

Songs relate to actions such as the Arrival, which was remixed by San Francisco's award-winning favorite Bassnectar, "Liberation Process", "Exorcism" and so on.

The project was mixed by Bill Laswell's veteran engineer Oz Fritz and is mastered by industry favorite Brian Gardner.

Chambers explains in an interview, "The project was seeded at the Temple of the Way of Light in the Peruvian Amazon, at which point I was recruited to work with and create recordings of shamans in traditional ceremonies in Peru.

From that foundation, I wanted to start gathering artists and musicians that represent "archetypal gateways"; veterans in different musical fields whose goal is to connect with the deepest life journey."

[21] In 2014, in collaboration with Peruvian-based NGO Alianza Arkana and the Rubin Foundation, he led Liberation Movement to Peru with bandmates Sasha Rose, Noah King and filmmakers Mitch Schultz (Writer/Director of DMT: The Spirit Molecule), Donald Schultz and Jason Gamble Harter to document a concert and surrounding journeys to villages along the Amazon River.

[19] Mitch Schultz stated, "Cross-cultural interfaces are paramount for accessing indigenous knowledge through a modern lens, or in this case the musical experience of Liberation Movement.

"[19] On May 2, 2014, Liberation Movement collaborated on a concert with Peruvian-based NGO Alianza Arkana called "Jiwexon Axebo" in the Shipibo Tribe's language and "Cultural Revival" in English.

The event was described as "a progressive leap forward, bringing together cultures in a productive and creative light and working together for a common purpose- the preservation of the rainforest, its people and traditions.

"[19] Often heralded as the leader and "spiritual mother" of the indigenous Shipibo-konibo community, Maestra Olivia Arévalo Lomas who both performed and recorded with Liberation Movement was tragically murdered in April 2018 at her home.

A review by Everest.com of their performance at the Oregon Eclipse Festival in 2017 stated that Liberation Movement, "shone brightest among the Earth Stage's magnificent programming... Resurrector himself, Grant Chambers, provided a veritable séance in deep dubby beat-science...

"[23] Liberation Movement live performances often feature a wide variety of collaborators and guests from varied genres including Peruvian shamans, champion Tuvan throat singer Soriah, Butoh dance troupe Bad Unkl Sista, SORNE and many others.