Their morbid intentions are interrupted when they encounter three young women similarly inclined towards self-destruction due to their failed endeavors in the realm of dance.

However, their shared plight takes an unexpected turn when the sound of piano music wafts through the air, diverting their attention from their grim intentions.

This affluent benefactor, intrigued by their talents, offers them a lucrative opportunity to showcase their skills, promising substantial remuneration if they prove to be proficient.

Unfortunately, their newfound benefactor's eccentricity becomes apparent when he jests about his lavish spending habits, only to be promptly escorted back to an asylum by attendants.

While director Edward Bernds devised ways to cover his illness, Jules White simply gave most of Curly's lines to Larry.