Jenni Cole of musicOMH described the album as "dark electro-glam of a lushness not heard since the synthtastic early '80s", comparing the band favourably to the Human League, Depeche Mode, Heaven 17 and Soft Cell.

"[11] Susan Frances of AbsolutePunk commented that the album "wraps you in fishnets of cabaret-styled vocals from lead singer Maya Von Doll and techno-dripping rhythms orchestrated by drummer Paul Stone and bassist Matt Lord.

The barbed guitar riffs of Toni Sailor are perched in thickets of bristling keyboards from Weston Doll creating movements that expand and separate with a will of their own, alternating lean segments with thick froths while covered in Maya's femininely sweet vocal reams."

"[8] Chris Reynolds of Gigwise viewed Sohodolls as "a sleazy yet chic outfit comparable to Goldfrapp" and wrote that "Maya's vocals are seductive and the bass and synths are as smooth as can be", but felt that "the lack of variation ... detracts greatest from a fine debut.

"[9] Emily Kate Stephens of MyVillage concluded, "With a huge mix of influences Sohodolls travel through this album with a strength and grace that means you can't help but listen.