Richard Grant White

[7] His grandfather Calvin, who served as rector of Christ’s Church in Middletown, Connecticut, was first married to Phebe Camp and secondly to Jane Mardenbrough.

The inheritance never materialized as his father was forced into bankruptcy and died in poverty in 1849 when his business was ruined by the advent of steam-powered shipping.

[4] With no inheritance allowing a life of leisure, White worked as a lawyer and became one of the foremost literary and musical critics of his day.

He had a distinguished career in journalism and literature as an editorial writer and musical critic for The Courier and Enquirer, continuing when it merged into The New York World.

In these latter an extreme sensitiveness led him to regard every difference of opinion as almost a personal offense, and by reason of this peculiarity of temper his abilities were rated by the reading public less highly than they really deserved.

[11]While White wrote on a wide range of subjects, his essay "The Public-School Failure" from December 1880 established him as a prominent and controversial social critic.

[c][12][13] His essay prompted several responses,[14][15] including from the New York Times, which wrote in February 1881, "It is a libel, pure and simple, made up of an exaggerated statement of some of the poorest results contained in the report with some touches of false coloring.

[9] As one of the most acute students and critics of Shakespeare, White's scholarship was recognized and praised by scholars not just in the United States but in England, France, and Germany.

[5] They had two children:[3] White owned a violoncello now part of the collection at the Museum of Fine Arts in Boston, Massachusetts.