[1][2] In a review for AllMusic, Alex Henderson called the album "a heartfelt, satisfying date that admirers of free jazz will enjoy," and stated that, although Belogenis was clearly influenced by both John Coltrane and Albert Ayler, "he's also his own man, and the saxman makes that clear on original material as well as fiery, intensely emotional performances of the Trane pieces 'Saturn'... and 'Seraphic Light'.

"[1] The authors of The Penguin Guide to Jazz Recordings noted that "Ali's language has continued to develop in line with a new generation of players who have taken Trane's harmonic advances as a given," and praised the "ringingly successful cuts" that provide the listener with "a chance to sample a much underrated reedman.

"[3] Bill Milkowski of JazzTimes described the album as "captivating," and wrote that the duo "rekindle the kinetic energy and conversational flow of Rashied's searing duets with John Coltrane.

"[5] A reviewer for All About Jazz commented: "Belogenis... explores his own entirely distinctive musical ideas: borrowing from the structural focus of Coltrane and the tonal elasticity of Ayler... Ali's drumming occupies the fertile middle ground between regular timekeeping-oriented swing and more colorful free playing.

"[6] CMJ New Music Report's Tad Hendrickson remarked: "Ali's signature hurricane of percussion is in full torrent here, yet Belogenis's saxophone creates quite a gust of its own, touching on the wavering tone of Eric Dolphy on the slower parts and displaying some dazzlingly technical runs when things get cooking.