Released in 2001, the album is a collage of brash musical vignettes with moods ranging from aggressive and disorienting to haunting and dreamy.

AllMusic's Bart Bealmear wrote,A psychedelic boat rides that leads to a poorly lit and wicked place, where even the nursery rhymes of youth become foreboding.

Beauty dances with ugliness, much like it does in the work of Roman Polanski and David Lynch, filmmakers who are drawn to the amalgam of good and evil that permeates the real world.

Furthering the connection, many of (Todd) Tobias' instrumental beads could be effectively re-scored to works like Twin Peaks and Rosemary's Baby.

This is a psychedelic mindtrip with heavy metal textures melding with non-sequitur lyrics delivered by many means of vocalizing (few of which would be described as "good singing"), and everything's cloaked in more feedback and fuzz than you can imagine.