News stories written at the time of the show's premiere highlighted Dinosaurs' connection to Jim Henson, who had died the year before.
Until the success of The Simpsons, according to Alex Rockwell, a vice president of the Henson organization, "people thought it was a crazy idea.
[7] Rafael Montemayor Aguiton of Vulture wrote that upon premiere the show "was a hit", and Michael Jacobs stated that this was why the network did not interfere much in the production.
Earl's job is to push over trees for the Wesayso Corporation with his friend and coworker Roy Hess, where they work under the supervision of their boss, Bradley P. Richfield.
[10] In the episode "I Never Ate for My Father," in lieu of carnivorism, Robbie chooses to eat vegetables, which the show uses as a metaphor for homosexuality, communism, drug abuse and counter culture.
The Elders dictate a new system of beliefs, and the entire cast (with the exception of Robbie) abandons science to blindly follow the newly popular "Potato-ism".
Earl often wants to watch TV rather than do something more practical, and several jokes accuse television of "dumbing down" the population and making it lazy.
Stuart Pankin, the voice of Earl, stated that the ending "was a simplistic and heartfelt social comment, yet it was very powerful" with "subtlety" being a defining aspect.
[8] Jacobs stated that correspondence from parents revealed that "They understood the creativity in the final episode, and they were sad at the predicament we presented in the story.
Club stated that the episode "delivered as blunt an environmental message as any major network TV broadcast since The Lorax.
On May 2, 2006, Walt Disney Studios Home Entertainment released Dinosaurs: The Complete First and Second Seasons as a four-disc DVD box set.
The complete third and fourth seasons, also a four-disc DVD set, were released on May 1, 2007, with special features, including the episodes not aired on U.S. television.
[19] Its first season received an approval rating of 83%, its consensus reads, "Dinosaurs, marries astonishingly expressive puppetry with genuinely funny satire of social norms, making for a forward-thinking prehistoric sitcom.