Robert Boardman Howard

[2] One of Howard's paintings, The Road to Hell, was accepted to the 1920 Salon in Paris and was later exhibited in San Francisco.

[11] In summer 1924, Howard joined his former art teacher Worth Ryder, and artist Chiura Obata on a three months camping and sketching trip to the High Sierra Nevada country in California.

[12][13] That summer, after he completed ornaments for the new Temple Emanuel in San Francisco and for the First Congregational Church in Oakland, he traveled to Europe to study Romanesque sculpture.

[citation needed] His letters describing adventures in Europe, the Middle East, India, Ceylon, and Indonesia were serialized in The Argus newspaper.

[citation needed] In January 1929, the Galerie des Beaux Arts staged a one-man show of his recent drawings, watercolors, and carvings to rave reviews.

[2] Three of the Howard brothers and two of their wives held a joint exhibition in the spring of 1935 at San Francisco's Paul Elder Gallery, where Robert's pastels and paintings were enthusiastically received.

[17][18] In October 1947 he premiered his non-objective art film Meta, which depicted the slow-motion action of various colors dropped into water.

Howard was married to fellow artist Adaline Kent on August 5, 1930, after they worked together on the Pacific Stock Exchange building, a Miller and Pflueger architecture firm project.

Boardman's cast concrete relief of a phoenix (1933), above the main entrance to Coit Tower
One of the two reliefs comprising Power and Light (1948), Howard's cast concrete sculpture at Pacific Gas and Electric Substation, San Francisco, California