Robert Robinson Taylor

A native of Wilmington, North Carolina, Taylor remained in architectural practice in the American South for more than forty years.

He was part of what was possibly the nation's first black architecture firm, Taylor and Persley, a partnership founded in July 1920 with Louis H.

As second-in-command to Booker T. Washington, the Tuskegee Institute's founder, Taylor was instrumental in both campus planning and inventing the school's industrial curriculum.

[4] What Washington had in mind was for Taylor to develop the industrial program at Tuskegee and to plan and direct the construction of new buildings for the campus.

[4] The project epitomized Washington's philosophy of instilling in Tuskegee students, the descendants of former enslaved Africans, the value and dignity of physical labor.

It exemplified of the capabilities of African Americans in the building trades, and it underscored the larger potential of the manual training curricula being developed at Tuskegee.

[4] Taylor cited examples to the 1911 US Congress in a paper to illustrate the kinds of rigorous ideas, approaches, and methods that Tuskegee had adopted from MIT and successfully applied within the context of a black educational institution.

[4] In 1929, under the joint sponsorship of the Phelps-Stokes Fund, the Liberian government, and Firestone Rubber, he went to Kakata, Liberia to lay out architectural plans and devise a program in industrial training for the proposed Booker Washington Institute – "the Tuskegee of Africa.

"[1][4] Robert Taylor served on the Mississippi Valley Flood Relief Commission, appointed by President Herbert Hoover, and was chairman of the Tuskegee chapter of the American Red Cross.

[4] Moreover, in 1942, less than a decade after his retirement from Tuskegee, he wrote to the secretary of his MIT class indicating that he had just been released from treatment for an unspecified illness at the Mayo Clinic in Rochester, Minnesota.

Tuskegee students at work on one of Taylor's buildings (1902)
Tuskegee Chapel (1898), which Taylor considered his best work.