Robert Voisey

[69] Robert Voisey was featured on RadioAscoli program Classica-E in Italy presented by radio host Daria Baiocch.

He is both the composer and the author for the text of this short song cycle which contains: "blank pages," "flowing streams," "poetry gone," and "heavy clouds."

[76] Voisey's short work for flute solo "Before Corcovado," was selected for Fifteen Minutes of Fame and performed by Carolina Cavalcanti][permanent dead link‍].

In New York City, a reviewer explained, "avidly conveys feelings of anticipation experienced by pious travelers willing to ascend great heights by way of rail, road, and foot to pay their respects to the mammoth Christ the Redeemer statue.

[84] Several of Rob Voisey's 60-second miniatures featuring samples and are examples of mash-ups were selected for 60x60 mixes including: Sullen, Electric Trains, Executive Decision, and We Are All 60x60.

"Voisey's Melting was a sudden change of pace (just vocals with electronics), a very well done performance of a moving piece delivered with care, making an instant connection with the audience."

Robert Voisey then layers and sequences one or more of the ambient constellations forming a sonic "mobile" to create a larger acoustic work.

The Constellations project is specifically designed for the one-minute miniatures to be performed singularly, sequenced one after another as a string of works or in a layer "mobile" fashion to create a new mix.

Each miniature—a genre in which Voisey excels as he is the creator of 60x60, a concert series devoted to music lasting sixty seconds—was vocally based.

Rob Voisey collaborated with David Morneau in a contemporary new music ensemble called Elevator Machine Room (aka EMR).

[94] He collaborated with Anne Cammon in India Songs described as "acoustic meditations each gesture happens in its own envelope of light, each word falls on the air like a drop of honey or rain.

"[95] This included performances at the Bowery Poetry Club, the Nuyorican, Cornelia Street Cafe and Beauty Keeps Laying Its Sharp Knife Against Me,[96][97] a compilation CD of poets and music.

[98] Robert Voisey is regarded as having ambitious ideas not only for the dissemination of contemporary music and art performance but for the number of audience members interested in such productions, routinely bringing rarefied forms of artistic expression into the mainstream.

"Founder Robert Voisey said the 60-centric format – inspired by other intermission-free performances in New York – is designed to retain audiences' attention.

"[107] "Part of the mission is to represent diverse composers from all walks of life," said Robert Voisey, who was quoted at the debut of the 60x60 UnTwelve Mix[108] for the Magical Musical Showcase series at the Museum of Contemporary Art in Chicago, Illinois.

[109] "The point of the project is that it enables an audience to take in and enjoy a cross section of different approaches to new music within a reasonable duration.

"His 60x60 project... brings packaged electroacoustic concerts to venues worldwide..." He is quoted as saying, "My belief is that there is a hungry audience out there waiting to be inspired and touched by the music and ideas that today's composer has to offer.

"The point of the project is that it enables an audience to take in and enjoy a cross section of different approaches to new music within a reasonable duration.

[115] Robert Voisey designed 60x60 to be a telescopic project which can grow to fit the needs of a venue or satisfy the appetite of a curious audience.

In 2024 Mary Beth Orr a singer and horn player selected 15 works from living composers around the world and performed them at AllArtWorks in Grand Rapids.

[136] For the fifteenth anniversary of 9/11, the West Point Band premiered fifteen one-minute works that honor the contributions of those men and women at Trinity Church in New York City.

Beginning his college career as a double major in computer science and mathematics and the son of two accountants,[147] Voisey was an unlikely student of classical composition.

[149] Accepting the invitation, Voisey was soon heard on Kol Yisrael Israel Radio and received his first contemporary performances at the College.

[150] Voisey went on to study music in the Master's Program at Brooklyn College with composers Noah Creshevsky and George Brunner.

Using his voice as a primary instrument, Voisey applied electronic techniques of sampling, digital processing and multi-track layering to his own work.

Over a decade, Robert Voisey has brought the 60x60 project to hundreds of venues across the globe including New York City's World Financial Center Winter Garden Atrium,[154] Stratford Circus,[155] the Sheldon for the American Art Experience in St. Louis,[156] In 2008, he created a short live experimental video screening series called XMV which was presented at Collective: Unconscious.

~CDZabu is a non-profit organization where its members collaborate online in order to create electronic music available on the World Wide Web.

Robert Voisey and David Morneau also make up the electronic music duo Elevator Machine Room also known as EMR.

Robert Voisey), Exorziser [1] enceladus groove, [2] spelun king, [3] the folk, [4] polynesian escape, [5] dark oasis, [6] sitzprobe – featuring the collaboration of e-plastic, Snvl, Intentolla, eze, Vox (a.k.a.

Robert Voisey) [1] next door marmalade,[2] love me blender, [3] in memoriam of dishwasher sprites, [4] mario cleaning dishes, [5] undead steak – featuring the collaboration of Snvl, Dr Chnolles, b.p.-y.m., Mike V + Vox Novus: Rob Voisey, Greg Bartholomew, Antonino Cuscina, Larry Gaab, David Morneau, David Newby, John Saylor, Jane Wang [1] vogel's private hell, [2] da vinci downtown, [3] not asleep yet, [4] mr. glitch meets glitchbot, [5] dr. turbano, [6] urba lulkanto, [7] voltaire's underwear, [8] deep drag gone, [9] synq, [10] descent into chaos, [11] better late than never, [12] spidered sidewalks of glam, [13] do you dream in black and white?