The 1858 Rockhampton town plan had made no provision for a public cemetery and, prior to c. 1860, burials took place near the Fitzroy River, between Albert and North Streets.
Between 1861 and 1866 immigrant ships filled a desperate labour shortage, and the discovery of gold to the west of Rockhampton enticed large numbers of Europeans, Chinese and southern colonists to the district.
In 1867–68, French botanist Anthelme Thozet donated trees and seeds from his famous Kalka (North Rockhampton) experimental gardens to the cemetery.
In 1937 about 1.6 hectares of the reserve fronting the Lower Dawson Road was surrendered for public park purposes, no graves being identified on this site.
On 19 June 1986 the Queensland Governor in Council rescinded the cemetery reserve gazettal, and the site remains as vacant crown land.
The wrought iron entry gates and posts, which in 1864 were moved from Rockhampton's recreation ground to the cemetery, have been removed to the Japanese gardens.
[2] Over 22,000 persons were buried in the cemetery between 1860 and 1970, including Aboriginal, Chinese, German, Jewish and other ethnic groups, with memorials to sailors, miners, soldiers, members of religious orders, mayors, and many of Rockhampton's early inhabitants.
The graves form a terracing effect across the site with the exception of the non-Judaeo-Christian section where the burial traditions of the Chinese, Aboriginal and other groups left no visible memorial.
Labour-intensive practices, particularly in the grave surrounds, seem to have been simplified in the interwar period, with cast concrete posts and curbs becoming common, the detailed carving being confined to the headstone or plaque.
[1] Notable plant species include Banyan trees (Ficus benghalensis) at the north entrance and in the centre, Hoop Pine (Araucaria cunninghamii) and Weeping Fig (Ficus benjamina) along the north boundary, Cook Island (Araucaria cookii) and (Livistona drudei) palms to the southeast, and a native almond (Terminala porphyrocarpa sin.
[1] Damage has occurred to some headstones through acts of vandalism, burning off or negligent mowing with stone or concrete surrounds being chipped.
The diverse collection of memorials, the grounds, the formal arrangement of graves, and the historically significant collection of plant species, exhibit particular aesthetic characteristics valued by the community generally, and in particular by persons interested in the demonstration of the craftsmanship of monumental masons and in the history of cemetery design and aesthetics.