Roddy Doyle

Doyle's work is set primarily in Ireland, especially working-class Dublin, and is notable for its heavy use of dialogue written in slang and Irish English dialect.

[3] In addition to teaching, Doyle, along with Seán Love,[4] established a creative writing centre, "Fighting Words", which opened in Dublin in January 2009.

[5] Doyle has also engaged in local causes, including signing a petition supporting journalist Suzanne Breen, who faced gaol for refusing to divulge her sources in court,[6] and joining a protest against an attempt by Dublin City Council to construct 9 ft-high barriers which would interfere with one of his favourite views.

The Commitments is about a group of Dublin teenagers, led by Jimmy Rabbitte Jr., who form a soul band in the tradition of Wilson Pickett.

The Woman Who Walked into Doors, published in 1996, is the story of a battered wife, Paula Spencer, who was introduced in his 1994 television series Family, and is narrated by her.

Despite her husband's increasingly violent behaviour, Paula defends him, using the classic excuse "I walked into a door" to explain her bruises.

Doyle's most recent trilogy of adult novels is The Last Roundup series, which follows the adventures of protagonist Henry Smart through several decades.

(2004) continues Henry's story in 1924 America, beginning in the Lower East Side of New York City, where he catches the attention of local mobsters by hiring kids to carry his sandwich boards.

[citation needed] In the final novel in the trilogy, The Dead Republic (published 2010), Henry collaborates on writing the script for a Hollywood film.

Doyle frequently posts short comic dialogues on his Facebook page which are implied to be between two older men in a pub, often relating to current events in Ireland (such as the 2015 marriage referendum[18]) and further afield.

Other recent works are The Guts (2013), which continues the story of the Rabbitte family from the Barrytown Trilogy, focusing on a 48-year-old Jimmy Rabbite and his diagnosis of bowel cancer[19] and Two More Pints (2014).

His plays with the Passion Machine Theatre Company include Brownbread (1987) and War (1989), directed by Paul Mercier with set and costume design by Anne Gately.