A Tale of Two Cities

A Tale of Two Cities is a historical novel published in 1859 by English author Charles Dickens, set in London and Paris before and during the French Revolution.

The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met.

Dickens opens the novel with a sentence that has become famous:It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Lorry sends Jerry back with the cryptic response "Recalled to Life", referring to Alexandre Manette, a French physician who has been released from the Bastille after an 18-year imprisonment.

In the Paris neighbourhood of the Faubourg Saint-Antoine, Dr. Manette has been given lodgings by his former servant Ernest Defarge and his wife Therese, the owners of a wine shop.

Lorry and Lucie find him in a small garret where he spends much of his time distractedly and obsessively making shoes – a skill he learned in prison.

In Paris, the hated and abusive Marquis St. Evrémonde orders his carriage driven recklessly fast through the crowded streets, hitting and killing a child.

Out of disgust with his aristocratic family, the nephew has replaced his surname (St. Evrémonde) with Darnay, an anglicised version of mother's maiden name (D'Aulnais).

The dark deference of fear and slavery ... will keep the dogs obedient to the whip, as long as this roof [looking up to it] shuts out the sky.

In 1792, Lorry travels to France to save important documents stored at Tellson's Paris branch from the chaos of the French Revolution.

Hoping to be able to save him, Dr. Manette, Lucie and her daughter, Jerry, and Miss Pross all move to Paris and take up lodgings near those of Lorry.

Fifteen months later Darnay is finally tried, and Dr. Manette – viewed as a popular hero after his long imprisonment in the Bastille – testifies on his behalf.

Solomon is desperate to keep his true identity hidden, and Carton blackmails him into helping with a play by threatening to denounce him as an English spy.

In it, Dr. Manette had recorded that his imprisonment was at the hands of the Evrémonde brothers (Darnay's father and uncle) after he had tried to report their crimes.

The two women struggle and Madame Defarge's pistol discharges, killing her and permanently deafening Miss Pross.

Carton comforts her, telling her that their ends will be quick and that the worries of their lives will not follow them into "the better land where ... [they] will be mercifully sheltered."

I see the good old man [Lorry], so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.

I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place—then fair to look upon, with not a trace of this day's disfigurement—and I hear him tell the child my story, with a tender and a faltering voice.

And who among the company at Monseigneur's reception in that seventeen hundred and eightieth year of our Lord, could possibly doubt, that a system rooted in a frizzled hangman, powdered, gold-laced, pumped, and white-silk stockinged, would see the very stars out!

[19] Other sources are The French Revolution: A History by Thomas Carlyle (especially important for the novel's rhetoric and symbolism);[20] Zanoni by Edward Bulwer-Lytton; The Castle Spector by Matthew Lewis; Travels in France by Arthur Young; and Tableau de Paris by Louis-Sébastien Mercier.

Dickens also used material from an account of imprisonment during the Terror by Beaumarchais, and records of the trial of a French spy published in The Annual Register.

[23]The "golden arm" (an arm-and-hammer symbol, an ancient sign of the gold-beater's craft) is now housed at the Charles Dickens Museum, but a modern replica could be seen sticking out of the wall near the Pillars of Hercules pub at the western end of Manette Street (formerly Rose Street),[24] until this building was demolished in 2017.

[33] After starring in a play by Wilkie Collins titled The Frozen Deep, Dickens was inspired to write Two Cities.

Change places with him, and would you have been looked at by those blue eyes [belonging to Lucie Manette] as he was, and commiserated by that agitated face as he was?

[37] Dickens dedicated the book to Whig and Liberal prime minister Lord John Russell: "In remembrance of many public services and private kindnesses.

[40] The critic James Fitzjames Stephen called it a "dish of puppy pie and stewed cat which is not disguised by the cooking" and "a disjointed framework for the display of the tawdry wares, which are Mr Dickens's stock-in-trade".

[41] Stage musical adaptations of the novel include: A Tale of Two Cities served as an inspiration to the 2012 Batman film The Dark Knight Rises by Christopher Nolan.

There are other hints to Dickens's novel, such as Talia al Ghul being obsessed with revenge and having a close relationship to the hero, and Bane's catchphrase "the fire rises" as an ode to one of the book's chapters.

In the film's final scene, Jim Gordon (Gary Oldman) reads aloud the closing lines of Sydney Carton’s inner monologue—"It's a far far better thing I do than I have ever done, it's a far far better rest I go to than I have ever known"—directly from the novel.

"The Sea Still Rises", an illustration for Book 2, Chapter 22 by " Phiz "
The seamstress and Carton, an illustration for Book 3, Chapter 15 by John McLenan (1859)
Illustration from a serialised edition of the story, showing three tricoteuses knitting, with the Vengeance standing in the centre.
John Martin-Harvey as Sydney Carton (1899)