He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.

[2] At a live performance at Ronnie Scott's Jazz Club in London he even managed to play two instruments, and carried on to tour internationally and to appear on television.

He preferred to lead his own bands and rarely performed as a sideman, although he did record with arranger Quincy Jones, drummer Roy Haynes and worked with bassist Charles Mingus.

One of his best-known recorded performances is the lead flute and solo on Jones' "Soul Bossa Nova", a 1964 hit song repopularized in the Austin Powers films.

This inclusivity included blues music, a love of stride piano and early jazz, and an appreciation for pop tunes.

Pieces by Saint-Saëns, Hindemith, Tchaikovsky, Dvorak and Villa-Lobos would all feature on his albums over the years, alongside standards, pop songs and original compositions.

[2] Kirk also absorbed classical influences, and his artistry reflected elements of pop music by composers such as Smokey Robinson and Burt Bacharach, as well as Duke Ellington, John Coltrane and other jazz musicians.

He played a variety of other instruments, including whistles; often kept a gong within reach; the clarinet, harmonica, English horn, and was a competent trumpeter.

He also made use of non-musical devices, such as alarm clocks, sirens, or a section of common garden hose (dubbed "the black mystery pipes").

[4] The Case of the 3 Sided Dream in Audio Color was a unique album in the annals of recorded jazz and popular music.

His later recordings often incorporated his spoken commentaries on current events, including Richard Nixon's involvement in the Watergate scandal.

The album even confronts the rise of influence of computers in society, as Rahsaan threatens to pull the plug on the machine trying to tell him what to do.

In the album Other Folks' Music the spoken words of Paul Robeson, another outspoken black artist, can be briefly heard.