Roland Perry

"[3] Perry's sports books include biographies of Sir Donald Bradman, Steve Waugh, Keith Miller, and Shane Warne.

He has also written on espionage, specialising in the British Cambridge Five ring of Russian agents and he has been a member of the National Archives of Australia Advisory Council since 2006.

Perry said he also had luck when tackling his secondary career as a film script-writer in London where he lived and worked for 12 years from mid-1973: I wanted to broaden my writing skills and applied everywhere for a job.

This led to me working as a producer, script-writer and on-camera interviewer with some exceptional feature and documentary writers, including Tony Maylam and Jack Grossman.Grossman was involved with Arts for Labour, a movement which supported the UK Labour Party, then led by Neil Kinnock, in its bid to unseat Margaret Thatcher as UK Prime Minister.

Three years later he joined forces with Tim Burstall to write a TV mini-series based on Perry's biography of Wilfred Burchett, The Exile.

This led to a series of political articles for Penthouse Magazine UK and a documentary on the election of Ronald Reagan titled The Programming of the President.

I did all the heavy research, 'forty ways to pick a lock', that sort of thing.The author's second novel, Blood is a Stranger was set in Australia's Arnhem Land and Indonesia.

Stephen Knight in The Sydney Morning Herald wrote: Blood is a Stranger is a skilful and thoughtful thriller... with a busy plot and some interesting, unnerving speculations about what might be going on in the world of lasers, yellowcake (uranium mining and manufacture) and Asian politics—things that most people prefer to ignore in favour of more simple and familiar puzzles.

Set mainly in Melbourne and Paris, he used the first person to expose the nefarious activities of the French in testing and developing nuclear weapons in the Pacific.

Perry's Hidden Power (1984) followed the factual theme in Program for a Puppet on the way the American public was manipulated into voting for candidates by slick computer-based campaigns.

[13][page needed] In the UK, The Economist opined that the book had a "frightening message: the pollsters with their state-of-the-art computers, which keep a finger on the pulse of the electorate, hope they can manipulate almost any election and have ambitions to control what the people’s choice can do in office.

"[14] Oliver Pritchett in the Sunday Telegraph thought the book's main concept was "an alarming idea, and the author... plainly intends to give us the shivers.

Perry based the book on the 1974 defamation trial, when Burchett sued Jack Kane of the Democratic Labour Party for calling him a KGB agent.

[16] Stuart Macintyre dismissed the book as "a hostile life by  ... a far less distinguished journalist who then turned his attention to John Monash and Don Bradman".

[17] For his seventh book, published in 1994, Perry set out to discover the identity of the alleged fifth man in the Cambridge Five spy ring, most commonly thought to be John Cairncross.

After initial research, Perry presented a 20,000-word evidentiary statement to William Armstrong of Sedgwick & Jackson UK, who had published various books on espionage, notably by British journalist Chapman Pincher.

"[19] whilst The Weekend Australian said "it only takes a couple of phone calls to establish that the Rothschild operation had been pretty small beer for a long time.

"[21] Christopher Hitchens was disparaging of both Perry's writing style and investigative ability, noting that he "would not know the difference between Bukharin and Bakunin, and makes the case that Victor Rothschild was a spy because he was a Jew.

"[24] The Age made the book a 'Pick of Week' and noted the author "emphasises the significance of the Light Horse achievement... it’s briskly written, well-researched popular history.

The terrier, named Horrie, in turn saved the lives of countless Australian soldiers by acting as a canine early-warning system when he barked to warn them of attacking German Stuka planes.

It is the story of Celeste Venard, a downtrodden French woman whose drive, intelligence, sensuality and writing skills drove her to be France's bestselling author in the 1850s with the fictional publication about an Australian gold rush, Voleur D'Or.

[citation needed] E. W. Swanton in the UK Cricket Magazine: "The Don is an unsurpassable record of a phenomenal figure, from Lord’s to the moment of writing, has been, if any man ever has, a victim of his fame.

The Melbourne Herald Sun wrote: "The Don is a sterling biography... it gives a riveting account of many of Bradman’s innings, and one can almost feel the excitement that gripped cricket fans when he strode out to bat.

Perry brings to life the various innings with colourful and detailed descriptions of the shots, bowling and fielding... a good read and a handy bench-mark for all the modern hysteria [in 1995] about Brian Lara and Steve Waugh, two fine players whose averages and performances are but a shadow of The Don's.

"[42] Gideon Haigh, who himself co-authored a book on the Australian captains, wrote Perry had "...a disquieting tendency to, quite casually, mangle information for no particular reason," and "...there are assertions who origins are, at least, somewhat elusive.

"[46] Ron Reed, leading Australian sports writer, in a syndicated piece for all News Corporation tabloids including the Herald Sun wrote: ‘Miller’s Luck is an excellent biography.

'[47] AAP's Jim Morton wrote: ‘Keith Miller is an enlightening biography of the test all-rounder, who was a cool and carefree match-winner on the field and a playboy philanderer off it.

"[56][57] Kit Galer in the Melbourne Herald Sun wrote: "This book serves as an excellent primer for those whose interest in the game was aroused by Australia’s defeat last year (2005).

[59] The Sydney Morning Herald noted: "This is a wonderful insider’s view of the (1948 Ashes) series... Perry is a good, unpretentious writer and the story he has to tell is one of courage and drama...

"[60] Adrian Nesbitt in Sydney's Sun Herald wrote: "Perry paints an excellent background picture of a tour that is remembered by Australians as a triumph over the mother country, often without consideration that England was still bearing the scars of war... Perry creates suspenseful moments, in the dressing-room and on the field... His meticulous approach gives us a great understanding of the subtleties and room for instinct that were Bradman trademarks.