When I went to Roger Seibel's SAE Mastering, he proceeded to equalize the tracks a small amount and to make the volume slightly louder.

We never tried to make this CD as loud as current, over-limited trends, but just to match the volume of the rest of Elliott's KRS catalog in a graceful way.

[1] The Rocket wrote that "Smith conveys an all-too convincing anguish, noble, credible and alluring in its understatement.

In its retrospective review, BBC Music opined that the album "remains a searingly honest and decisive collection.

"[15] Consequence of Sound called the album "far from a genius effort, but nonetheless an important solo performance pointing towards where his many strengths and few weaknesses as a singer and songwriter were.