[2] It stars Mammootty, Sharafudheen, Jagadish, Grace Antony, Bindu Panicker, Kottayam Nazeer, Sanju Sivram, and Asif Ali.

Luke decides to find her on his own and stumbles upon Balan who asks him to purchase his house on the outskirts of the forest.

Balan tells Luke that the house was owned by his elder son, Dileep, who died a few months ago in an accident.

After selling the house, Balan leaves with the money, abandoning his wife, Seetha, and young son, Anil, for his second family.

However, Luke starts feeling Dilip's presence in the house and deduces that Dileep's spirit is present there and Seetha's confirmation about the same gives him the vigour for revenge.

Anil learned about Balan's plan to leave him and Seetha, and he killed him and kept the money in the storeroom on the advice of Shashankan.

Luke helps the family with the medical expenses and also convinces Dilip's widow, Sujatha, to agree to transfer Seetha's shares of the cashew nut processing factory and merge their businesses.

Seetha visits Luke and reveals that both Dilip and Anil were following her orders to gain more money by committing crimes.

[8] Midhun Mukundan composed the songs and scores for the film, marking his debut in Malayalam cinema.

[14] Manoj Kumar R of The Indian Express gave the film 4/5, writing that, 'Mammootty magnificently embodies the psychological condition of a man with bottomless vengeance'.

[15] The News Minute rated the film 3.5/5, and found the film to be 'dark & interesting', further writing that 'director Nissam puts his powerful women characters in the ordinary garbs of village women, behaving like the typical mother or grieving wife, but exposing their depths when the time comes'.

Praveen of The Hindu found the film to be 'an effective psychological thriller that has its imperfections, just like the test that it draws its name from, but it is nevertheless an intriguing experience'.

[17] Soundarya Athimuthu of The Quint wrote, 'deploying a compelling visual-storytelling and oscillating between the past and the present in a smooth fashion, Rorschach promises an immersive experience if you are willing to pay the full-attention it deserves'.

[18] Princy Alexander of Onmanorama found the film 'hit all the right notes, except in the end', though she praised Mammootty by writing that 'his movements are swift, the mysterious aura is intact and the dialogues are enough to thrill you thrill you till the end', & adding that his achievement onscreen is 'pure brilliance'.