[4] In the gallery's first year, the artists exhibited were Guy Dill, Richard Jackson, Keith Sonnier, Peter Lodato, Alexis Smith, Maria Nordman, and William Wegman.
[9] Later, in 1987, Mike Kelly had another notable exhibition, where he "splayed blankets across" Rosamund Felsen Gallery's "floor and arranged tattered animals around them in formal groupings, like they were attending a picnic without people."
The largest piece in this show, More Love Hours Than Can Ever Be Repaid, "composed of animals and afghans and stretched 10 feet wide" hung next to The Wages of Sin, "a pedestal table dripping with candles in rainbow hues, as though audiences were standing before a holy shrine at mass, a nod to his Catholic upbringing."
Peers, Mindy Alper, Jacci Den Hartog, Andrew Falkowski, Steven Hull, Steve Hurd, Nancy Jackson, Gegam Kacherian, Mary Kelly, Jean Lowe, Kim MacConnel, Patrick Nickell and Pauline Stella Sanchez.
"[13] From this exhibition, the piece Mimus, Act I (Posner) - which was "made of sheets of compressed lint from domestic dryers affixed to variously colored cardboard"[13] using language which had been "sourced from the court transcripts of the red-baiting House Committee on Un-American Activities and centers on the depositions of activists in the 1950s movement Women Strike for Peace.
[15] In 2014, two of the gallery artists, Mary Kelly and Judith Barry, had works that were included in the exhibition, Take It or Leave It: Institution, Image, Ideology at the Hammer Museum in Los Angeles.
[20][21] In April 2017, the film Heaven Is a Traffic Jam on the 405[22] by director Frank Stiefel,[23][24] which profiled & documented the story and works of gallery artist Mindy Alper, won the 20th Anniversary Full Frame Jury Award For Best Short.