[5] After leaving VSW, Marasco "initiated the photography program at Munson Williams Proctor Arts Institute in Utica, NY, establishing the curriculum, darkrooms, & studios, and teaching both black & white and color" from 1974 to 1979.

[13][14] In 2015 The Portland Museum of Art mounted a major retrospective, called index, of Marasco's work, organized by PMA Chief Curator Jessica May.

[15] Describing her method in a review of the exhibition, critic John Yau wrote “It seems to me that Marasco deserves both a full-sized monograph and to be better known.

She is more than Maine’s most prolific photographer.”[16] In 2016 Marasco was awarded the Maine Women's Fund Sarah Orne Jewett Award, given to "a Maine woman who exhibits the attributes of the women in Jewett’s works of fiction: true grit, independence, courage, humor and discipline,"[17] and in 2005, received the Excellence in Photographic Teaching Award from Santa Fe Center for Photography New Mexico.

“Camouflage” by Murray Bail (2001) Farrar, Straus and Giroux “Latest Will: New & Selected Poems” by Lenore Marshall (2002) W.W. Norton & Company “Confessions” by Kang Zhengguo (2007) W.W. Norton & Company “Mouth Wide Open” by John Thorne (2007) North Point Press “Thoughts on Landscape: Collected Writings and Interviews” by Frank Gohlke (2009) Hol Art Books “Portland Through the Lens” (2007) warren machine company “Undomesticated Interiors” (2003) essays by April Gallant and Mimi Hellman, Smith College Museum of Art “Designing Identity” (2000) Marc English Rockport Publishers “The Lure of the Local: Senses of Place in a Multicentered Society” by Lucy R. Lippard (1997) The New Press “Ritual and Community: The Maine Grange” essay by Frank Gohlke Amazon Books “Selections 4: Polaroid International Exhibition” (1988) essay by Mark Haworth-Booth Julien Langevin, "Plastic Expressions in Particularity: Nature Moves in Tracy McKenna’s Shift at Able Baker Contemporary."