[2] Princess Alix missed the rose garden of Rosenhöhe, Darmstadt, and so this egg reminded her of them during her first Easter with her new husband.
The egg embodied Fabergé's embrace of Neo-Classicism, in opposition to the dominance of Art Nouveau in late 19th century contemporary design.
[1] In 1917 the egg was confiscated by the Russian Provisional Government and later sold to Emanuel Snowman of the jewellers Wartski around 1927.
It was this damage that helped Malcolm Forbes identify the egg when he purchased it in 1985 from the Fine Art Society in London.
[5] The egg is now part of the Victor Vekselberg Collection, owned by The Link of Times Foundation, and housed in the Fabergé Museum in Saint Petersburg, Russia.