Roy Field

Field received two BAFTA nominations for visual effects on the Jim Henson films The Dark Crystal (1982) and Labyrinth (1986).

[1][2] As a visual effects artist he worked on seven successive James Bond films for Eon Productions, starting with the first Dr. No (1962) and continuing with From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), On Her Majesty's Secret Service (1969) and Diamonds Are Forever (1971).

The team under supervisors Les Bowie and Derek Meddings included Colin Chilvers, Denys Coop and Zoran Perisic.

[6] Another of Field's contributions to the film was to use optical printing techniques to superimpose sparks on Superman's body to depict bullets bouncing off.

[4] Field also worked with director Jim Henson on The Dark Crystal (1982) and Labyrinth (1986), both of which received BAFTA nominations for visual effects.