Royal Worcester

Prior to 1751, John Wall, a physician, and William Davis, an apothecary, attempted to develop a method of making porcelain that could then be used to boost prosperity and employment in Worcester.

In 1751, Wall and Davis persuaded a group of 13 businessmen to invest in a new factory at Warmstry House, Worcester, England, on the banks of the River Severn (the site was leased on 16 May, and the partnership agreement was signed on 4 June[2]), but whether the business plan put forward to the prospective partners was based on the future buy out of Lund's Bristol porcelain factory is uncertain.

[4][5] Richard Holdship, a Quaker and major shareholder, was prominent in the process of the subsequent ‘buy out’ of the Bristol manufactory in early 1752.

[6] The early wares were soft-paste porcelain with bodies that contained soaprock, commonly called in most ceramic circles as soapstone.

Martin Barr joined the firm as a partner in 1792; porcelains of this period are often identified by an incised capital "B" and, later, by more elaborate printed and impressed marks.

At first popular due to its resistance to thermal shock, this type of porcelain got out of favour in the middle of 1790s once the bone china was invented.

Chamberlain's Factory, which was very high quality and in 1811 received its own royal warrant from the Prince Regent, had begun to manufacture by 1791.

In 1840, at a time when both businesses were having difficulties keeping up with a changing market, it merged with the main Flight and Barr concern as "Chamberlain & Company.

[1] The Worcester Royal Porcelain Company Limited was formed in 1862 after Kerr's retirement (Binns partnered with Edward Philips).

Under a succession of partnership and company names the Grainger family retained significant shares until the death of the last member in 1889, when Royal Worcester took them over.

Artists and designers who worked for the factory included Thomas Baxter, William Billingsley, John Stinton, David Bates, James Hadley, Christopher Dresser, Charles Baldwin, Harry Davis and Peter Ewence.

Tea canister , about 1768, Worcester porcelain factory ( V&A Museum no. 1448&A-1853)
Soft-paste armorial porcelain plate with the coat of arms of the Duke of Clarence, future William IV , 1789, Flight factory, Diameter: 9.7 inches
Female side of Aesthetic teapot designed by R. W. Binns and modeled by James Hadley, 1881.
Pair of " japonist " vases, 1873 ( Indianapolis Museum of Art )
Site of Worcester Porcelain Works - geograph.org.uk - 1744254