Rudolf II, Holy Roman Emperor

Rudolf spent eight formative years, from age 11 to 19 (1563–1571), in Spain, at the court of his maternal uncle Philip II, together with his younger brother Ernest, future governor of the Low Countries.

For the rest of his life, Rudolf would remain reserved, secretive, and largely a recluse who did not like to travel or even partake in the daily affairs of the state.

[4] He was more intrigued by occult learning such as astrology and alchemy, which was mainstream in the Renaissance period, and had a wide variety of personal hobbies such as horses, clocks, collecting rarities, and being a patron of the arts.

Like Elizabeth I of England, whose birth was 19 years before his, Rudolf dangled himself as a prize in a string of diplomatic negotiations for marriages but never in fact married.

Their eldest son, Don Julius Caesar d'Austria, was likely born between 1584 and 1586 and received an education and opportunities for political and social prominence from his father.

During his periods of self-imposed isolation, Rudolf reportedly had affairs with his Obersthofmeister, Wolfgang Siegmund Rumpf vom Wullroß (1536–1606), and a series of valets.

[11] Historians have traditionally blamed Rudolf's preoccupation with the arts, occult sciences, and other personal interests for the political disasters of his reign.

When the papacy instigated the Counter-Reformation by using agents sent to his court, Rudolf backed those who he thought were the most neutral in the debate, not taking a side or trying to effect restraint.

In May 1618 with the event known as the Defenestration of Prague, the Protestant Bohemians, in defence of the rights granted them in the Letter of Majesty, threw imperial officials out of the window and thus the Thirty Years' War (1618–1648) started.

He was also patron to some of the best contemporary artists, who mainly produced new works in the Northern Mannerist style, such as Bartholomeus Spranger, Hans von Aachen, Giambologna, Giuseppe Arcimboldo, Aegidius Sadeler, Roelant Savery, Joris Hoefnagel and Adrian de Vries, as well as commissioning works from Italians like Paolo Veronese.

He patronized natural philosophers such as the botanist Charles de l'Ecluse, and the astronomers Tycho Brahe and Johannes Kepler both attended his court.

As mentioned earlier, Rudolf also attracted some of the best scientific instrument makers of the time, such as Jost Bürgi, Erasmus Habermel and Hans Christoph Schissler.

[16] The poet Elizabeth Jane Weston, a writer of Renaissance Latin poetry, was also part of his court and wrote numerous odes to him.

Rudolf kept a menagerie of exotic animals, botanical gardens, and Europe's most extensive "cabinet of curiosities"[4] (Kunstkammer) incorporating "the three kingdoms of nature and the works of man".

[17] A lion and a tiger were allowed to roam the castle, as is documented by the account books, which record compensation paid to survivors of attacks or to family members of victims.

He was also alleged, by a single piece of hearsay, to have owned the Voynich manuscript, a codex whose author, purpose, language and script, and posited cipher remain unidentified to this day.

In a letter written in 1665, Johannes Marcus Marci claims to have heard that Rudolf acquired the manuscript for 600 gold ducats at some unspecified time.

Without, however, there being a desire for purely scientific systematization on the part of the sovereign, it is necessary to detect the harmonious expression of the order of God and discern in the micro-macrocosm the analogy of a mimetic dependence on human arts towards nature and the world.

Anselmus was an avid mineral collector and travelled widely on collecting trips to the mining regions of Germany, Bohemia and Silesia, often accompanied by his Bohemian naturalist friend, Thaddaeus Hagecius.

His lifelong quest was to find the philosopher's stone, and Rudolf spared no expense in bringing Europe's best alchemists to court, such as Edward Kelley and John Dee.

[12] Rudolf had a relationship with the Royal mistress Kateřina Stradová (also known as Anna Marie Stradová, or Catherina Strada, c. 1568-1629), with whom he had six children: The full titulature of Rudolf after he inherited the Holy Roman Empire and the vast realms of Central and Eastern Europe went as following:[2][5] "His Imperial and Royal Majesty, Rudolf II, by the Grace of God elected Holy Roman Emperor, forever Augustus, King of Germany, King of Hungary, King of Bohemia, Dalmatia, Croatia, Slavonia, Rama, Serbia, Galicia, Lodomeria, Cumania, Bulgaria, Italy, etc.

; Archduke of Austria, Duke of Burgundy, Brabant, Styria, Carinthia, Carniola, Margrave of Moravia, Duke of Luxemburg, of the Upper and Lower Silesia, of Württemberg and Teck, Prince of Swabia, Prince of Transylvania, Count of Habsburg, Tyrol, Kyburg and Gorizia, Landgrave of Alsace, Marquess of the Holy Roman Empire, Burgovia, the Enns, the Upper and Lower Lusatia, Lord of the Marquisate of Slavonia, of Port Naon and Salines, etc.

Archduke Rudolf, aged 15, painted by Alonso Sánchez Coello
A portrait bust of Rudolf II in the collection of the Antwerp City Hall , Belgium
Portrait of Rudolf II by Lucas van Valckenborch , c. 1580
Portrait of Rudolf II as a young man by Martino Rota
The Crown of Rudolf II later became the imperial crown of the Austrian Empire .
Rudolf painted as Vertumnus , Roman god of the seasons, by Giuseppe Arcimboldo (1590–91). Rudolf greatly appreciated the work.
Richly ornamented celestial globe with clockwork, made for the Kunstkammer of Rudolf II, 1579
Great coat of arms, 1605