[1] After he graduated from Berkeley, Tolman moved to Washington, D.C. to continue his studies at Corcoran School of the Arts and Design.

His paintings mainly depict natural landscapes in swift brushstrokes, reflecting the Impressionist interest in the transient effect of color and light (see Untitled).

This approach not only aligns with the impressionist ethos but also serves to elevate the mundane aspects of life into subjects worthy of artistic exploration.

[6] His works appealed to both the aesthetic sensibilities of the impressionist movement and the social consciousness of realism, indicating a possible influence by the context of the early 20th century.

[7] Tolman's approach aligns with the notion that curators are essential in shaping the narrative and context of exhibitions, thus influencing public perception and engagement with art.