The Newsroom is an American political drama television series created and principally written by Aaron Sorkin that premiered on HBO on June 24, 2012, and concluded on December 14, 2014, consisting of 25 episodes over three seasons.
It features an ensemble cast including Jeff Daniels as anchor Will McAvoy who, together with his staff, sets out to put on a news show "in the face of corporate and commercial obstacles and their own personal entanglements".
[2] Other cast members include Emily Mortimer, John Gallagher Jr., Alison Pill, Thomas Sadoski, Dev Patel, Olivia Munn, and Sam Waterston.
After months of negotiations, premium cable network HBO ordered a pilot in January 2011 and then a full series in September that year.
The 25-episode series is set behind the scenes at the fictional Atlantis Cable News (ACN) and revolves around anchor Will McAvoy, his new executive producer MacKenzie McHale, newsroom staff Jim Harper, Maggie Jordan, Sloan Sabbith, Neal Sampat, Don Keefer, and the head of ACN, Charlie Skinner.
[3][4] In season 1, each episode is built around a major news event from the recent past, such as the Deepwater Horizon oil spill and the killing of Osama bin Laden.
The first is the subject of citizen journalism, and the season begins with the Boston Marathon bombing and its subsequent investigation, which was quite significantly affected by the reports of social media users.
[27] The show takes on a particularly critical tone regarding the role that citizen journalists play in the coverage of major news stories, portraying the spread of misinformation and hindrance to law enforcement that ensues.
This leads to a clash between Will and the FBI, resulting in Will's spending time in jail for refusing to name Neal's source and being held in contempt.
Entertainment Weekly reported in April 2009 that Sorkin, while still working on the screenplay for The Social Network, was contemplating a new TV drama about the behind-the-scenes events at a cable news program.
[35] Sorkin was the series creator of Sports Night and Studio 60 on the Sunset Strip, both shows depicting the off-camera happenings of fictional television programs.
"[41] Sorkin decided that rather than have his characters react to fictional news events as on his earlier series, The Newsroom would be set in the recent past and track real-world stories largely as they unfolded, to give a greater sense of realism.
[40] By June, Jeff Daniels, Emily Mortimer, Sam Waterston, Olivia Munn, and Dev Patel were cast, while Greg Mottola had signed on to direct the pilot.
The same as with The West Wing, where ordinarily in popular culture our leaders are portrayed either as Machiavellian or dumb; I wanted to do something different and show a highly competent group of people.
[53] Writing in Maclean's, Jaime Weinman said the choice of name was "a bit of a grimly amusing reminder that the U.S. TV industry doesn't take Canada very seriously ...
"[54] In an interview with The Daily Beast following the Sorkin show's premiere, Finkleman revealed that HBO did contact him for permission to reuse the title, which he granted.
[60][61] New York magazine reported that Sorkin had planned for MSNBC host Chris Matthews and Andrew Breitbart to appear in a roundtable debate scene in the pilot; however, the idea was shot down by MSNBC purportedly because the network was displeased with the corporate culture portrayal of cable news and skewering of left-leaning media in the show's script.
[62] Chris Matthews' son, Thomas, joined the cast in the role of Martin Stallworth, an associate producer for the fictional show.
[63] Three months after the series was picked up, Jane Fonda signed on to play Leona Lansing, the CEO of the fictional network's parent company.
[72]Sorkin hired conservative media consultants for the second season to help him represent "every part of the ideological spectrum," thus giving the show "a political perspective that I don't have."
The site's critical consensus reads, "Though it sports good intentions and benefits from moments of stellar dialogue and a talented cast, The Newsroom may feel too preachy, self satisfied, and cynical to appeal to a wide range of viewers.
[101] Time's James Poniewozik criticized the show for being "smug" and "intellectually self-serving", with "Aaron Sorkin writing one argument after another for himself to win.
[107] Actor Thomas Sadoski later said he found it funny that a scene of his character announcing the news of Osama bin Laden's death on an airplane had become a frequent and widespread Internet meme.
The site's critical consensus reads, "Thanks to focused storytelling and a more restrained tone, The Newsroom finds surer footing in its second season, even if it still occasionally succumbs to Aaron Sorkin's most indulgent whims.
"[109] In an early review of season 2, Verne Gay of Newsday called it: "Edgier, more sharply drawn, while that Sorkian chatter remains at a very high boil.
"[110] Oscar Moralde of Slant Magazine noted what he referred to as the show's "grandiloquent speechifying", but praised Olivia Munn, calling her "a joy to watch" and concluded that "season two of The Newsroom salvages the promise of becoming something urgent and vital".
[111] Brian Lowry of Variety, in a negative review, said: "Ultimately, one needn't be a purveyor of snark to view The Newsroom as a disappointment—too smart to be dismissed, but so abrasive as to feel like Media Lectures for Dummies.
The site's consensus reads, "With an energetic new arc and deeper character development, The Newsroom finds itself rejuvenated in its third season—even if it still occasionally serves as a soapbox for creator Aaron Sorkin.