Initially in demand as a continuo player and vocal répétiteur (with the Pygmalion ensemble, the Festival d’Aix en Provence, and the Maîtrise and Orchestre Philharmonique de Radio France among others), he formed the Correspondances ensemble in Lyon in 2009, assembling around him singers and instrumentalists with a passion for the French sacred repertory of the Grand Siècle.
With this ensemble, which he directs from the harpsichord or the organ, he now travels throughout France and around the world, and frequently broadcasts on radio.
Significant stages in the ensemble's career have been tours to Japan, Colombia, the United States and China, alongside regular appearance in Europe (the United Kingdom, Germany, Benelux, Italy, Poland).
Its exploration of a little-performed and often unpublished repertory has led, with the support of the harmonia mundi label, a pioneer of the Baroque repertory in many respects, to a discography of eleven recordings that have attracted considerable press attention and have received such distinctions as the Diapason d’Or of the Year, ffff de Télérama, Editor's Choice in Gramophone, ‘Choc’ of the Year in Classica, German Record Critics’ Award and IRR Outstanding.
Correspondances now enjoys international recognition: at the ECHO Preis ceremony in the Berlin Konzerthaus in 2016, it won the award categories of Best World Premiere Recording (for Le Concert Royal de la Nuit) and Best Young Conductor of the Year, while the Australian Limelight magazine named it Operatic Recording of 2016 for Le Concert Royal de la Nuit.