Sōtarō Yasui

[1] Yasui was born to a merchant class household in Kyoto, but dropped out of commercial high school against his family's wishes to pursue a career in the arts.

[3][4] During this seven years, from 1907 to 1914, he was strongly influenced by the realistic styles of Jean-François Millet, Pierre-Auguste Renoir and, in particular, Paul Cézanne.

For the next ten years, Yasui suffered from recurring health problems and did not participate in exhibitions, while he attempted to perfect his style, which incorporates clear outlines and vibrant colors in portraits and landscapes, combining western realism with the softer touches of traditional nihonga techniques.

In 1930, he displayed these techniques in "A Portrait of a Woman" to wide critical acclaim, and was nominated for membership in the prestigious Imperial Fine Arts Academy in 1935.

In the postwar period, many of his works were selected as cover art for the literary magazine Bungeishunjū.